August 23, 2018Comments are off for this post.

Uniquely J Product Films


Here's the whole suite of CG product films I made for Uniquely J with McCoy|Meyer. Read more

December 29, 2017Comments are off for this post.

OLĒKA – Ostentiferous

Proud to present my music video for Bosnian techno producer Olēka. Read more

November 1, 2016Comments are off for this post.

Snakehips Tour Visuals

So, by a wave of the hand of the goddess of Freelance, I got the opportunity to produce a raft of tour visuals for London-based, globally-renowned dance duo Snakehips. Read more

October 31, 2016Comments are off for this post.

Dewalt Power Tools

Dewalt wanted to see the internal workings of their power tools in their sales videos. With an x-ray texture on the industrial model alone, you might see a lot, but the final result when the internals - meshed gears, selector switches, brushless motors and hammer pistons - are all working as one, the effect is much improved. Read more

October 31, 2016Comments are off for this post.

Paradontax Case Study: Lifesaver Toothbrush

Grey London and Hogarth were producing a case study for entry into the Cannes Lions competition on behalf of their client, GSK. Read more

March 22, 2016Comments are off for this post.

Skin City

Skin City is a badass, black-and-white cyberpunk animation project I work on when I have downtime. Read more

January 12, 2016Comments are off for this post.

Eurosport Summer

Eurosport Summer Programme 2013

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January 22, 2014Comments are off for this post.

The Brightness

Visual artist Cécile Evans contacted me to work on a CG sequence for a film project she was working on for a film contest funded by Orange. She wanted to recreate a Busby-Berkeley style dance routine with a deliberately crappy tooth model she'd obtained from Turbosquid. The intentional crappiness meant that to get a bit of quality in there, I used the built-in Subsurface Scattering shader in Cinema 4D and the Physical renderer to produce this weirdly amusing sketch, which takes place as a daydream in the middle of a sequence where the artist is interviewing an actress representing her real-life namesake Cecile B. Evans. It's weird and meta and great and to my delight, it debuted at the Palais de Tokyo in Paris as part of the group's exhibition.

Here's a section for your delectation.

The Brightness, 2013, stereo 3D presentation
Director: Cécile B. Evans